Why I Love “A Word on Statistics”

The poem, which you can read at the Poetry Foundation, starts with:

Out of every hundred people

those who always know better:

fifty-two.

Unsure of every step:

almost all the rest.

– from “A Word on Statistics” by Wislawa Szymborska, translated by Joanna Trzeciak

I’ve been revisiting Szymborksa’s poem over the past year, and I like it for multiple reasons:

  • Her poem offers a strange comfort. Partly, it’s the dark comfort of thinking, “We’re all doomed together.” But it’s also the comfort of connection with other people.
  • It’s a poem that helps make me more patient.
  • Even though statistics are impersonal, and this poem isn’t about any one person in particular, it still feels deeply human and personal.
  • The poem inspires compassion. Statistics often desensitize (remember this quote attributed without evidence to Stalin?), but this poem does the opposite. It makes you keenly sensitive to people: what they face, what they do, how they fail themselves and others, how they inspire.
  • There’s sorrow in the poem, because we’re a sorry lot. The poem helps make the sorrow more bearable.
  • It captures some of the limitations of statistics, including the imprecision. There’s a lot that’s unquantifiable about us.

In defense of the ordinary (responding to a comparison of Elizabeth Bennet and Jane Eyre)

I was recently talking to a friend about books, and she said that Jane Eyre (of Charlotte Bronte’s novel) has a much stronger character and more interesting story than Elizabeth Bennet (of Jane Austen’s Pride and Prejudice). What’s the point of reading about Elizabeth Bennet, when you can read about Jane Eyre?

It’s true that Jane Eyre overcomes more difficulties than Elizabeth Bennet. But why even compare these two characters? I’m not sure.

They come from very different novels. Different in tone, style, subject matter, scope, time period, and authorial intention. Elizabeth isn’t meant to be like Jane Eyre.

Elizabeth has ordinary imperfections and leads an ordinary life for a woman of her social class. That’s part of what makes her story interesting.

Elizabeth Bennet and Mr. Collins from the 1995 adaptation of Pride and Prejudice.

One of the reasons I appreciate Jane Austen’s writing is because she understood that the ordinary can make a huge difference. The commonplace decisions you make and small-scale dilemmas you face are part of the moral fabric of your life.

Austen understood the power of a remark spoken in a thoughtless or bad-tempered way – how much it can hurt someone, damage a relationship, or project a bad impression of yourself. She understood what can happen when you fail to put your pride aside, when you give unhelpful advice, or when you form an impression of someone’s character too quickly and in a limited context.

Something small-scale can still produce a good deal of misery. Or it can bring joy to people, if you behave with integrity and with consideration for them.

Austen’s novels do have some heightened drama as well – like Wickham running off with Lydia. But even the more dramatic incidents stem from so-called small or ordinary decisions.

For example, Lydia gets into the sort of trouble she’s in partly because of her parents’ carelessness in letting her travel when she’s clearly not mature and well-behaved. Mr. and Mrs. Bennet aren’t abusive parents. They aren’t extreme in their behavior. They’re silly (Mrs. Bennet) and largely uninvolved (Mr. Bennet). These milder weaknesses in character still have a huge impact on Lydia’s life, and the lives of all the Bennet sisters.

Similarly, when Austen explores marriage compatibility, she doesn’t focus on the more extreme cases of terrible marriages (like when a wife is locked in an attic). She presents more commonplace problems, like when a spouse is consistently selfish, coldly overbearing, or gratingly pompous (so they’re monologuing at the table while you try not to carve out your ear drums with a dessert spoon). Or maybe your spouse is more shallow than you or shares few of your values, to the extent that you can barely have a conversation with them or see eye-to-eye on anything.

Most people aren’t going to face the kind of dramatic decisions that Jane Eyre needs to make. And even if they do, most of their lives will still be made of more ordinary but still meaningful moments.

A lack of appreciation for the ordinary can lead to callousness. For instance, there are people who say they love humanity and want to aid humanity – but they’re rude to their waiter, unfair to their employees, dismissive of their friends, and indifferent to their spouse and kids.

I’m not writing this post to criticize people’s feelings about fictional characters. It’s fine to have a preference for different kinds of novels, or to love more than one kind of fictional character. You don’t have to read and enjoy Austen. As for Charlotte Bronte’s works, I prefer Villette (largely because of how she wrote the first-person narration). In any case, I think Austen’s understanding of human nature in more ordinary contexts is one of reasons her books are enjoyable and valuable.

(The image is from the 1995 adaptation of Pride and Prejudice. On the left is Elizabeth Bennet, played by Jennifer Ehle. On the right, the inimitable Mr. Collins, played by David Bamber.)

A Window Into a Surveillance State

I recently read Stasiland: Stories From Behind the Berlin Wall by Anna Funder. Several years after the wall was torn down, Funder went to Germany to talk to people who had lived in the East German state, known formally as the GDR (German Democratic Republic). For her book, she interviewed victims and agents of the Stasi, and explored not only what their life was like back then, but how it changed once the wall fell.

The Stasi, or secret police, enacted a pervasive and powerful surveillance system. They amassed copious amounts of information on private citizens, including all kinds of mundane details. They collected information in a variety of ways, from intercepting mail to using informants.

When reading about the effects of the Stasi’s tactics, I started thinking about the surveillance we live under with the Internet, with cameras everywhere, with data harvested by governments and powerful corporations, with various algorithms making decisions about our lives, and with people eager to be informants and judges. I’m not claiming that my life in the U.S. is like living in the East German state. But it’s important to think about what Stasiland shows us, the dangers we face in a state of exposure and surveillance, including:

Continue reading “A Window Into a Surveillance State”

Self-Image and Hills to Die On: Some Insights into Social Media Behaviors

I’m reading Influence by Robert Cialdini, and some parts of the book have been unsettling. Influence discusses strategies that are effective at changing people’s behavior and beliefs. Of course, not all techniques work on all people in all situations. But because they’re often effective enough, you’ll typically see them wielded by salespeople, political activists, cult leaders, and other folks who are deeply motivated to be persuasive.

One of the insights in the book is that people will often become the instruments of their own change. You nudge them towards a particular path, and they do the rest. Their brains begin to reinforce certain associations, build certain habits, and concoct rationalizations. People can easily overestimate how much control they have and can come to believe that an idea was their own all along.

I’ve also come across passages that provide insight into behaviors often seen on social media. The book initially came out in the 1980s, and the revised version I’m reading now was published in 2007. I think this was before the major social media sites became mainstream, so I don’t know if the author will bring them up at any point. But even though these excerpts don’t refer specifically to Twitter or Facebook, they’re still insightful about the way people often behave on those sites:

Continue reading “Self-Image and Hills to Die On: Some Insights into Social Media Behaviors”

Deliberately Choosing Life, Every Day (A Response to a Hoagland Essay)

Edward Hoagland’s essay, “Heaven and Nature,” deals with a topic people usually don’t want to think about: suicide. His meditation on suicide may apply to anyone, including someone who doesn’t – at least outwardly – appear troubled by anything.

Our faces are not molded as if joy were a preponderant experience. (Nor is a caribou’s or a thrush’s.) Our faces in repose look stoic and battered, and people of the sunniest temperament sometimes die utterly unstrung, doubting everything they have ever believed in or have done.

Hoagland tempers his bleak discussion with a matter-of-fact tone. And in the bleakness of his essay, there are some kernels of light.

He discusses what it takes to negotiate the cracks and fissures of life. Sometimes it’s a matter of not dwelling on misery. Love and prayer are other answers. However, he doesn’t present them as a quick fix. Meaning to say, if you pray, you need to work out, over time, what prayer means to you, what you believe in, what you think can sustain you. This may not be the same from one year to another, or one decade of your life to another. Similarly, with love – habits of love are key to making love powerful. You need to stay open to “new and sudden insights” or engage in a “long practice” of love. And this applies to love in different forms, not limited to romance.

He also talks about the urge to achieve a unity with something larger, to transcend the self, and for nature itself to be wedded to Heaven. This unity is also something to work towards actively, and you aren’t guaranteed complete freedom from harrowing doubt.

Just to be perfectly clear, this isn’t a self-help essay. It isn’t an easy read either, and Hoagland isn’t doling out solutions (and especially not one-size-fits-all solutions). Reading this essay is a challenge, and it may not be for everyone in every frame of mind.

What helps keep me alive is a belief in the meaning of life and holiness of it. Not to regard people as sentient sacks of meat or bags of water, as organic trash. Seeing the moments of life, day to day, as holy and meaningful requires regular practice and considered choices. It also involves flexibility and adjustments over time. To not let myself dry up spiritually is a matter of consistent effort, and I do fail at it. But, when I fail, I have to remind myself that I haven’t reached my end. Instead, I need to keep walking through that desert, experiencing the desert and finding meaning in it (which isn’t the same thing as finding happiness). And staying open to the possibility that the landscape will change or that I’ll find things in the desert that are possibly good.

I write this as someone who’s religious. Religion itself is a regular practice, a deep wrestling. It isn’t a source of pat answers, though the practice of it may become stale and crumble into clichés. Regardless of what religion you practice – or whether you even consider yourself religious – you need to find what it is that sustains you. And then sustain it through repeated choice, through practices that you may need to change as the years pass. What are your relationships with others, with the world, with what transcends you? If you don’t know, keep thinking about it. Keep searching, and be patient. Keep choosing life.

It’s interesting how an essay that deals with a grim topic can bring out a response that affirms life, but it had that effect on me, even with an awareness of the doubting, the fear, the darkness.

A Book for Boomers (but Not Only Boomers)

I recently read 55, Underemployed, and Faking Normal by Elizabeth White, even though I’m a couple of decades younger than 55. Although the book might be most useful to Americans of the Boomer generation, the reader’s age isn’t so important, because people younger than that (and some in the 75+ crowd) might benefit from it as well.

55underemployed

What brought me to the book to begin with? I happened to see it at the library and read through its section on employment issues (fewer full-time jobs with benefits and pensions, more part-time/contractual/freelancing/gig work, and age discrimination in hiring practices), and then I checked it out.

I recommend it as a kind of ‘starter guide,’ as it addresses a number of important issues, including:

  • Social isolation, shame, and anxiety.
  • Options for more affordable housing, along with things that need to change, such zoning restrictions that don’t suit current needs.
  • What to do if you don’t have enough saved for retirement (most Americans don’t have nearly enough).
  • What to do, and how to cope, if you aren’t finding a good job or any job.
  • Finding the right mindset for making your life worth living and meeting the difficulties head on, even if your life isn’t turning out the way you expected it to.

Anyone can use this book to plan for future problems or find insights into current difficulties. One of the book’s strengths is the number of resources the author shares – a large number of organizations and their websites covering all kinds of areas, including assistance with work and housing.

I also liked the author’s tone. It’s compassionate, firm, and straightforward. She obviously supports taking responsibility for your life, but she also doesn’t ignore various issues that people don’t have control over (such as the recession of 2008). She’s a level-headed person, and she’s clear about the fact that there isn’t a one-size-fits-all solution for each problem she discusses. You might read through this book and find little that helps you, but even if you get one or two ideas for what to do next, it could be worth it.

The book is also full of short, often moving contributions from other people. Sometimes, they share their struggles, and you can commiserate. Other times, they share solutions for what works for them.

It’s worth checking this book out.

Dealing With Regret: Insights From an Australian Novel

“There’s always a chance to start over!” You typically hear this encouraging message when wrestling with what you’ve lost. And the message does contain truth. People often do rebuild their lives, find ways to make their lives better, after an abusive relationship or a job loss or an illness.

Other times, there’s no fresh start, not in the way you hope for. A missed chance is gone. An opportunity doesn’t return. There are limits to the ways in which we can start over.

Regret naturally follows. And regret can throw up a wall around you, keeping you locked up with your past, tormented by “what-ifs” and unable to perceive present and future possibilities.

Insights From Tirra Lirra by the River

tirralirrabytheriver

Last year, I read Tirra Lirra by the River, a novel by Jessica Anderson. As a young woman, Nora (the main character) jumps at the chance to leave the backwaters Australian community where she grew up. As an old woman, she returns and wonders whether leaving had been the right decision after all.

Nora has a gift for art. In various ways, she draws on her artistic skills after leaving home, but towards the end of her life she thinks that she would have grown more as an artist had she stayed.

Throughout her life, she suffers heartbreaks, including a wretched marriage. After her marriage, she wonders if some paths are permanently closed to her:

I knew that like fruit affected by a hard drought, I was likely to be rotten before ripe. Sometimes I believed it was already too late, but at others I was seized by a desperate optimism that expressed itself in spates of chatter and laughter and hectic activity.

But it would be wrong to say that her life has been devoid of joy, interest, and friendship. And this is what brings me to the main point – What insights does the novel give us about dealing with regret?

Avoiding sentimentality and self-pity

At different points in her life, Nora feels angry, crushed, or terrified, but she doesn’t indulge much in self-pity. She also doesn’t try to sugarcoat reality. Her retelling of her life has a clarity and straightforwardness that’s admirable. She can also take on a wry tone, finding absurdity in depressing circumstances.

She isn’t invulnerable to despair. But her general level-headedness helps her in dealing with regret and getting on. She doesn’t spend a lot of time railing against fate. She doesn’t lie to herself and pretend that everything is ok when it’s not. And – this is also important – she doesn’t pretend that something isn’t good enough when in fact it’s lovely and inspiring. Without being falsely sentimental, Nora can appreciate what’s good.

Avoiding what-ifs

Nora has some “what if” moments during the book. But for the most part, she doesn’t dwell on alternate scenarios or choices left unchosen. She also doesn’t waste mental energy on “should haves” or “shouldn’t haves.” Whether or not a decision should have turned out a certain way isn’t something we can fully understand or control. Things are as they are; hard work and powerful hopes don’t guarantee certain outcomes. Sometimes we do have the power to change things, but not always, or not to the extent we like. We face our circumstances, make various choices, and that’s it.

Seeking beauty

With her artist’s eye and her powerful determination, Nora does find beauty in all kinds of situations:

In whatever circumstances I have found myself, I have always managed to devise a little area, camp or covert, that was not too ugly. At times it was a whole room, but at others, it may have been only a corner with a handsome chair, or a table and a vase of flowers. Once, it was a bed, a window, and a lemon tree. But always, I have managed to devise it somehow, and no doubt I shall do it again.

This skill in seeing beauty has been with her all her life. For instance, when she was younger:

I was amazed and enthralled by the thickness and brilliance of the stars, by the rich darkness of the sky, and the ambiguous peacefulness of the blazing moon. In an aureole of turquoise the moon sailed across the sky, and as I watched, our block of land became a raft and began to move, sailing swiftly and smoothly in one direction while the moon and clouds went off in the other.

And when she’s an old woman:

… at the other end of the veranda, I can see the dark leaves climbing one behind the other, casting on the timber a shadow perforated by tear-shaped fragments of sunlight.

This ability to perceive beauty in various forms, and to make space for beauty even in the middle of pain or misery, is a potentially life-saving skill. And it helps temper regret.

Narrative Point of View (POV): A Lesson From Leaving Atlanta by Tayari Jones

Let’s say you’re writing a novel. What POV should you choose? Should it be a first-person narration (the “I” or “we” POV)? Or some form of third-person POV (using “he/she/they”)?

There are many reasons to choose one type of POV over another, or even to mix multiple types of POVs in a single work. One example comes from Leaving Atlanta by Tayari Jones, which is set during the 1979-1981 Atlanta child murders. The novel is divided into three sections, each focusing on a different kid from a fifth-grade glass in an Atlanta elementary school. These kids are struggling with personal problems unconnected to the serial murders going on around them, though the murders will also change them in profound ways.

For each of the three kids, Jones uses a different type of narrative POV: third-person, second-person, and first-person. I don’t know what led her to choose a certain POV for a particular kid, but I’m going to post my own reasons for why I think the choices work well.

LeavingAtlantaTayariJones

LaTasha Baxter: Third-Person POV

Tasha gets the third-person POV – what’s more, it’s a third-person limited POV. In her section of the book, the reader can experience only what she experiences. None of the action takes places without her present, and the feelings described are only hers (though of course you can guess what other characters are thinking/feeling based on body language, word choice, and other clues). She doesn’t speak in the first-person “I,” but she’s the focus of this part of Leaving Atlanta, and the reader is meant to stick by her side through the events.

I think this POV suits her because she’s an “everyman” character. She isn’t the smartest or most successful student, but she isn’t struggling and failing either. She isn’t the prettiest girl in her class, but she isn’t considered ugly, though she’s sometimes taunted about her looks. Her family is neither the richest nor the poorest among their acquaintances. She definitely isn’t the most popular kid or even among the chosen circle of popular kids, but she also isn’t the class pariah. Although she’s capable of cruelty or thoughtlessness (usually when she cares too much about what the popular kids think), she isn’t mean for the sake of being mean; she isn’t a bully. Her concerns and hopes are typical for a kid her age, and her middling social standing gives her a vantage point from which she can observe a range of kids in her class, including the ones who are regularly trodden on. The reader can easily observe things alongside her.

Rodney Green: Second-Person POV

The second-person POV uses “you.” (From the book: “As you chant nursery rhymes to distract yourself from the news report, Father stacks his breakfast dishes in the sink and shuts off the radio.”)

Rodney is a boy who’s regularly being judged and accused. Most painfully by his own father, but by many others as well. He has no friends and is considered an unintelligible weirdo; only one other kid (see Octavia, below) gets treated worse in class.

He fears scrutiny. He wants to be furtive and unnoticed. The “you, you, you” is like a drumbeat of accusations or a constant reminder that the boy can’t escape from someone’s critical eye. It creates an impression of a character being watched by someone who’s dogging his footsteps.

At the same time, the second-person POV also works because Rodney wants to be understood. It’s as if he’s appealing to the reader and trying to form a connection. He wants you, the reader, to put yourself in his shoes. (The stuff he goes through – you’re the one going through it too as you read the second-person POV.)

By the end of his section of the book, he’s given up on anyone ever caring enough to understand him.

Octavia Fuller: First-Person POV

Octavia, even more than Rodney, is the class pariah. She’s very poor and her skin is also darker than everyone else’s; her classmates, although they’re also black, have made her skin the butt of most of their jokes about her. Her school experience is one of perpetual shunning. Even Rodney is wary about openly associating with her. Aside from an older boy who lives in her neighborhood, no one has been consistently friendly to her.

Generally, Octavia is quiet. But in one scene, when a boy insults her openly, she fights back, lobbing insults and rocks at him. She carries around a lot of hurt and anger, but she isn’t defeated. She has a strength that carries her through day after day of mistreatment and disappointment. The first-person POV suits her, as she’s a person with a firm, distinctive voice and character. She’s also fairly isolated. In multiple ways, she remains apart from the crowd as an “I.”

Not Sure Which POV to Choose for Your Work?

Sometimes authors will try out different POVs for a particular character or story to see which one “rings true.” With each change in POV, the readers’ relationship with the characters and events will change.

Free, Free, Oh So Free

“Freedom of speech” is a phrase that gets thrown around a lot in the US. What limits does it come up against?

I’m not talking about free speech in terms of the first amendment alone. I’m also interested in what free speech means as a norm in various institutions and in civil society. And I’m not focusing on speech of low value (insults, childish name-calling, slurs); my concern is about the ability to hold a discussion on controversial topics, express a dissenting opinion, and ask an uncomfortable question, especially in forums that are meant for such conversations, such as a townhall meeting or a classroom.

This post is prompted by a book I’ve just read, The Lies They Tell by Tuvia Tenenbom, who took a six-month journey around the US, spoke to a variety of people, and reported his findings in what reads like a series of blog posts from the road.

There are observations he could have researched more or followed up on more deeply (though part of his approach was to let the various Americans he met explain things to him). I appreciated that he wasn’t trying to make anyone look stupid or ridiculous. He didn’t ask questions that were worded in a confusing way to trip people up. Usually he listened to an opinion and asked, “Why?” (What’s the basis for your belief? Why do you feel the way you do?). Or he pointed out the elephant in the room and observed people saying, “What elephant? No, that’s a housefly… maybe a swarm of houseflies… but not an elephant.”

Here are a few things that come up in the book, again and again:

Continue reading “Free, Free, Oh So Free”

Recommended Reading: The Tyranny of Opinion

I recently read a book that would have been relevant before widespread Internet use and the advent of social media, but makes for even more urgent reading now.

TyrannyofOpinion

The Tyranny of Opinion by Russell Blackford discusses threats to freedom of speech beyond government censorship. Blackford focuses on coercion and conformity imposed by other powerful institutions and forces in society, including online mobs that foment outrage against offending individuals, often with abuse, slander, harassment, and serious threats, such as loss of employment.

I appreciate the book’s thoughtful discussion of free speech, including the question of what constitutes harmful expression, and how people have different ideas of what’s harmful. For example, most would agree that issuing death threats or inciting a mob to attack shouldn’t be counted as free speech. However, people may want to suppress speech that appears to undermine a set of beliefs they hold dear. Harm as a concept can get stretched from the threat of literal violence to feelings of upset, anger, or offense. How do we best determine the standards of harm for our society?

The book serves as a reminder of what free speech is meant to protect and why it’s important to uphold it as a general principle (and not limit it to a question of what the government permits). Are the following important to you?

  • The ability to engage in free inquiry, including questioning ideas and conducting investigations into different topics.
  • The ability to discuss various issues, including the pros and cons of public policies.
  • The ability to write, paint, and create other art. (Of course there have been controversies, including questions about whether a piece has artistic merit or is mere obscenity. But do you generally prefer to critique an artistic work, or do you lean more towards bans, threats, and harassment of authors and artists?)

There are challenges to upholding free speech, not least because people have a strong tendency to be tribal about it. (Even people who consider themselves free speech proponents are prone to tribalism; they’ll gladly defend one of their own, but not a political opponent.)

People are also prone to exercising coercion, imposing certain types of thought and speech on anyone who doesn’t conform. The book provides multiple examples of the way “offenders” are met not with well-reasoned critiques but with exaggeration, dishonesty, displays of moral outrage, and threats against livelihood, reputation, and physical safety. With social media, it’s easy to instantly whip up large numbers of people from all over to descend on an offending individual, and no facts or well-developed arguments are necessary.

Instead of reasoned arguments, people often rely on personal attacks and ascribe all kinds of evil intentions to someone who steps out of bounds. Discussing a 1994 article by Glenn Loury, Blackford writes:

Within a milieu of political conformity, anyone who speaks out on a particular topic in a particular manner will be judged personally. Meaning will be read into her manner of expression, and her arguments may never be examined on their merits. Questions about her data and her reasoning may well be set aside, and instead she will be assessed as someone who was willing to speak in that way, at that time, on that topic. This may reveal her as an apostate from her group, especially if its true believers are hiding whatever misgivings they have about the local orthodoxy. A likely consequence is that a group’s moderates and internal dissenters will be driven out of conversations, or at least be forced to keep silent about their moderate and dissenting opinions.

What happens when people are afraid to speak, express doubt, or question a group in any way? Along with festering resentment, stagnation sets in. Far fewer original thoughts, interesting proposals, or important questions get introduced. People’s capacity for critical thinking weakens, and they struggle more with how to construct a strong argument or evaluate evidence. (What need is there for critical thinking when you can engage in knee-jerk outrage?) There’s also more dishonesty, distortions, and misconceptions. For example, when non-conforming thoughts are severely curbed in a particular environment (such as a university), people might assume that the established, acceptable opinion on a certain topic is more widely held than it actually is, because no one is speaking out in disagreement or calling for greater nuance.

Towards the end of the book, Blackford offers suggestions for how to combat forced conformity and promote well-reasoned discussions and inquiry. Examples include recognizing propaganda techniques, resisting the knee-jerk impulse to join social media mobs, assessing other people’s words and intentions in as fair-minded a way as possible, pushing for changes in various organizations in terms of their speech codes or the reasons for which they fire someone, and facing down an outrage-fueled mob without caving in to irrational demands or abuse.

Another book I read recently, The Coddling of the American Mind, overlaps in some of its topics with The Tyranny of Opinion and also offers suggestions at the end for “wiser kids,” “wiser universities,” and “wiser societies,” including ways to protect physical safety and dignity while engaging in more robust discussions, self-reflection, and a principled stand against mobs.

I want to be optimistic, and I do see more people sharing concerns about conformity and the suppression of free speech and inquiry in ways that don’t involve government censorship. But what are the incentives for greater numbers of people to more consistently resist suppression, conformity, and an overly broad definition of harm?

Outrage and tribalism are powerful and attractive. The self-righteous thrill, the malicious glee, or the power trip of fomenting or joining a mob appeals to many. Engaging in more critical thinking and self-reflection is difficult, and the rewards aren’t usually immediate. Evaluating evidence, waiting for more evidence, withholding a knee-jerk opinion, making the effort to truly understand someone with a different political point-of-view, and conveying another person’s point-of-view honestly – all of that takes mental effort and a commitment of character.

You can say that one of the rewards is a strengthening of your integrity and self-respect. But to what extent do people care enough or even associate those qualities with the ability to sustain a civil, honest discussion? It’s also much less risky to keep your head down, especially if you aren’t wealthy, well-connected, or powerful. A major pushback against mob mentality and excessive restrictions on speech will need to come from thoughtful, influential individuals and from large numbers of people who support them – people who don’t agree with each other on all topics or share all of the same beliefs.

Here’s another excerpt from the book. It can serve as a call to action, pushing for a return to traditionally liberal values, which are necessary to maintain a certain kind of society. (If this kind of society is sufficiently important to us, we’ll try to keep those values alive.)

… principles such as secular government, free inquiry and discussion, and the rule of law; values such as individuality, spontaneity, and original thinking – have wider cultural resonance if only we take the trouble to explain and advocate them. When we override these principles and values with supercharged anxieties about identity and offence, we throw away what made liberalism attractive in the first place.”